Andrés Denegri (Buenos Aires, 1975) is a visual artist working mainly on film, video, installations and photography. He graduated at the Universidad del Cine, Buenos Aires. Among his awards stands out the Grand Prix from the National Salon Visual Arts (Buenos Aires, 2015). He is also co-director of the Imagen en Movimiento Biennale (BIM) and guest film and video curator for the Buenos Aires Museum of Modern Art. He has completed artist residences in Colombia, Serbia, Canada and the USA.
Andrés Denegri approaches the visual arts combining film, video, installations and photography. His projects generate dialogues between different formats, addressing them poetically and conceptually, creating tension in the classic uses of audiovisual technologies. Vintage film projectors are the protagonists of many of Denegri’s installations: from portable family devices to powerful industrial machines are combined in the production of kinetic objects where celluloid leaves the projector and travels through the space transited by the viewer.
Caja de luz que exhibe la materialidad del film de 16mm antes y después de haber sido procesado por un proyector intervenido que ha destruido una gran cantidad de sus fotogramas. La imagen del film es la primera filmación realizada en Argentina (La bandera argentina, 1897).
Light box that exhibits the materiality of the 16mm film before and after being processed by an intervened projector that has destroyed a large number of its frames. The image of the film is the first film made in Argentina (The Argentine flag, 1897).