Andrés Denegri (Buenos Aires, 1975) is a visual artist working mainly on film, video, installations and photography. He graduated at the Universidad del Cine, Buenos Aires. Among his awards stands out the Grand Prix from the National Salon Visual Arts (Buenos Aires, 2015). He is also co-director of the Imagen en Movimiento Biennale (BIM) and guest film and video curator for the Buenos Aires Museum of Modern Art. He has completed artist residences in Colombia, Serbia, Canada and the USA.
Andrés Denegri approaches the visual arts combining film, video, installations and photography. His projects generate dialogues between different formats, addressing them poetically and conceptually, creating tension in the classic uses of audiovisual technologies. Vintage film projectors are the protagonists of many of Denegri’s installations: from portable family devices to powerful industrial machines are combined in the production of kinetic objects where celluloid leaves the projector and travels through the space transited by the viewer.
La primera filmación realizada en Argentina (La bandera argentina, 1897) y la primera de la historia del cine (Obreros saliendo de la fábrica, 1895) son reproducidas sobre la misma pantalla translúcida por dos proyectores que se encuentran enfrentados.
The first film made in Argentina (The Argentine flag, 1897) and the first film in the cinema's
history (Workers coming out of the factory, 1895) are reproduced on the same translucent screen by two projectors facing each other.