Andrés Denegri (Buenos Aires, 1975) is a visual artist working mainly on film, video, installations and photography. He graduated at the Universidad del Cine, Buenos Aires. Among his awards stands out the Grand Prix from the National Salon Visual Arts (Buenos Aires, 2015). He is also co-director of the Imagen en Movimiento Biennale (BIM) and guest film and video curator for the Buenos Aires Museum of Modern Art. He has completed artist residences in Colombia, Serbia, Canada and the USA.
Andrés Denegri approaches the visual arts combining film, video, installations and photography. His projects generate dialogues between different formats, addressing them poetically and conceptually, creating tension in the classic uses of audiovisual technologies. Vintage film projectors are the protagonists of many of Denegri’s installations: from portable family devices to powerful industrial machines are combined in the production of kinetic objects where celluloid leaves the projector and travels through the space transited by the viewer.
Pequeño film editado completamente en cámara, fotografiado cuadro a cuadro en película Super 8 durante la marcha realizada el día 8 de agosto de 2018, día de tratamiento y votación en la Cámara de Senadores de la ley que otorgaría a las mujeres el derecho a la interrupción voluntaria del embarazo.
Small film edited entirely on camera, photographed frame by frame on Super 8 film during the march held on August 8, 2018, voting day in the Senators Chamberof the law that would grant women the right to voluntary interrupt pregnancy.