• About Us
  • About us
  • Team
• Team
• Media Point
  • Meet Collectors
  • Open Files
  • Live Talks
• Pinta Miami
• Pinta PArC
• Pinta Sud ASU
• Pinta BAphoto
• Articles
  • Pinta Miami 2023: A New Edition Comitted to The Dissemination of Contemporary Latin American Art
  • Jason seife's dreams at the PAMM
  • Aglaé Bassens’ solo debut at ICA Miami
  • Juan Francisco Elso’s Retrospective at MOCA North Miami
  • “The American Denim” Activates Miami Fiber Art Scene
  • Two Interconnected Exhibitions at MACBA
  • León Ferrari at Bellas Artes Museum. A Life of Commitment and Sensitivity
  • The Sky and its History: The Group Exhibition at the Museum of Modern Art of Buenos Aires
  • Green Manifesto at the Buenos Aires Modern Museum
  • Colección Mendonca: A Quest for Cultural Identity
  • "The Land of Women"
  • Laura Marquez's Drawings at Artística
  • Metamorphosis. Juan Pablo Pistilli Miranda at ViedmaArte
  • Ser Pallay: The Collaborative Textile Project
  • Rivers can exist without water but not without shores.
  • Ishmael Randall-Weeks´Laboratory of Forms
  • Liam Young and his Imaginary Worlds
  • The Interconnection between Art, Culture, and Nature
  • Pinta Announces two New Incorporations to the Pinta Art Team
  • Trapeze Contortionists: The Installation by Duval-Carré in Miami Beach
  • A Bonnie Lautemberg Retrospective at Jewish Museum of Florida
  • Meat: Notes on Sacrifice, Power and Desire
  • The Inseparability of Art and Political Action - León Ferrari at the Pompidou
  • Penumbra Foundation Open Call for Photobook Program
  • Contemporary Tradition - Textile Art at Pinta PArC 2022
  • The Philosophy Behind 'Veroir el fracaso iluminado' - Interview with Miguel A. López
  • NFTS and Metaverse: A Cubist View on The New Digital Ecosystem
  • What does it mean to be up-to-date with Art?
  • The Beauty of Danger as Stimuli – Nan González in Pinta Concept
  • Dagoberto Rodriguez: Omens of the Future
• Press
  • Clippings
  • Print Press