Gonzalo Maggi (Intemperie, b. 1984) is an artist and curator based in London and Buenos Aires. He studied film directing at the Universidad del Cine, completed the Artists’ Program at Universidad Torcuato Di Tella (2013) and the FNA CONTI Artists’ Program (2014), and participated in workshops and portfolio reviews with Gabriel Valansi, Alberto Goldenstein, Hernán Marina, and Juan Travnik.
In 2013, he held his first solo exhibition, Silencioso pero insiste, curated by Alberto Goldenstein at the Ricardo Rojas Cultural Center. In 2014, he exhibited Inminencia at Teatro de la Ribera, curated by Juan Travnik. In 2018, he presented Escrito en el cuerpo at the Espacio de Arte Contemporáneo in Montevideo, Uruguay. In 2019, he held his fourth solo exhibition, NO DESPERTAR LA CIUDAD, curated by Carlos Herrera at Munar.
His work is part of the collection of the Buenos Aires Museum of Modern Art, as well as numerous private collections in Argentina, the United States, Spain, Switzerland, France, and the United Kingdom. In 2015, he received a Creation Grant from the National Endowment for the Arts (Fondo Nacional de las Artes).
Since 2018, he has directed Intemperie Gallery, where he has also curated numerous exhibitions, including Lure (Temporary, London, 2026); Under Black Waters Clock Run Slowly (Hartslane, London, 2025); And so the broken mend themselves (Somers Gallery, London, 2024); Donde lloran los valientes (Munar, Buenos Aires, 2022); Abandonar toda esperanza (public space beneath a highway, between Brandsen and Pedro de Mendoza, Buenos Aires, 2021); GÉNESIS (a traveling exhibition presented at Isla de la Paternal, Puerto de La Boca, Munar Arte, and Pólvora Gallery, Buenos Aires, 2020); Cruzar el Río (public space along the banks of the Río de la Plata, Buenos Aires, 2020); La primer espada fue un regalo (Walter Gallery, Buenos Aires, 2019); and Orbitar (National University of General Sarmiento, Buenos Aires, 2019).