Curated by Sol Echevarría
As an era ushered in by the printing press draws to a close, another emerges through the internet and its rhizomatic structures. If material conditions are changing, is it possible to imagine that there are latent images on the verge of being revealed?
With the gradual replacement of paper by digital formats, it is not only the medium that changes, but also the ways in which information is constructed.
Social media opens a window from the bedroom onto the world. Intimacy becomes split, while discourse loses its hierarchies. This brings about a shift in the mechanisms through which the contemporary subject is represented and in the configuration of bodies, which become intelligible yet incorporeal behind machines.
Sol Echevarría
Buenos Aires, 1983
Writer, editor, researcher, and independent curator. She holds a degree in Literature from the University of Buenos Aires (UBA), a specialization in Visual Arts from the National University of Tres de Febrero (UNTREF), and participated in the Artists, Critics, and Curators Program at Torcuato Di Tella University (UTDT). Her projects explore the intersections between literature, essay writing, and the visual arts.
She founded and directed the cultural magazine No Retornable for ten years and the contemporary art gallery Acéfala for five years. She currently directs FAN, a space devoted to research, the exhibition of contemporary art projects, and the development of experimental publications. She also co-directs Excursiones, a publishing imprint focused on contemporary Latin American essays and the visual arts, and serves as art editor of the cultural magazine Otra Parte.
