Ximena Giraudi
Bio
December 1977, Argentina
I live and work in Buenos Aires.
Curator and Plastic Artist work on abstract art, technique, acrylic on canvas
two-dimensional interventions and installations. I am attracted to the combination of materials and methods that I generate or use to create my works.
From 2008 to 2013 I generated content and directed the BISAGRA Art Gallery in Buenos Aires, Argentina.
From 2009 to 2012 I worked in the workshop of the plastic artist Adrián Lirman where
I developed mixed techniques and experimented with different supports.
In 2010, I participated with the NAIPES series in Expotrastiendas, International Art Fair.
In 2011 and 2013 I worked together with the plastic artist Claudio Roncoli in the technique of POP Art and collage on paper.
In 2013 to the present I participate in the expressionism workshop and abstraction clinic of the plastic artist Luis Altieri.
From 2011 to today, I manage my own Art Content agency (XGContenidos), and I am currently the Art Director and Chief Curator of Paraná Seguros, an Insurance Company of the Balabanian Group.
I have held collective exhibitions and Open Studios in the country.
Statement
Although, each piece of art that I create is in itself a reflection, (analogous begins or arises and well-intentioned vanishes... it's the amount of attention I can give things) no
agrees with the very meaning of the word.
I am alone and comfortable in front of the canvas, and the brushes or acrylics and I am quite demanding with the contemplation of my ideas, embodied ahead of time on the white background. The work is born stumped, clumsy.
Almost aimlessly, although objectively, over the years the works have become more complex and freeing myself from every cliché that I imposed on myself, from programmed maps or models that I could not continue and were not part of anything, but part of a complete process of evolution, either by the evolution of the work itself or by the evolution of the parts, the colorimetry, the plastic that compose and the shots, I think especially the shots, were modified and surpassed in each work year after year, oscillating in the complete disappearance of spatiality, until the abstraction itself that borders on expressionism. And that's where I want to get to.
To empty spaces that arise to remain empty and that other times arise to accompany
new full colors or false geometries.
About color: simple palettes are the winners, for being structural and finitude
controlled. it is my perception.
2.5 x 4m / 98.4 x 157 in
