Martí Cormand
Bio
MARTÍ CORMAND (Barcelona, 1970), lives and works in New York. He has had individual exhibitions at institutions such as Martí Cormand: Aldrich Emerging Artist Award Show, Aldrich Contemporary Art Museum, Ridgefield, CT (2007) or the Arranz-Bravo Foundation, L’hospitalet de Llobregat, Barcelona, ES (2010); and his group exhibitions include: Twenty Twenty, curated by Richard Klein, Aldrich Contemporary Art Museum, Ridgefield, CT (2020), DRAWING IN THE 21st CENTURY, Kunsthalle Galápagos, Brooklyn, NY (2012); Really?, curated by Beth Rudin DeWoody, Wilding Cran Gallery, Los Angeles, CA (2017); Walk the Distance and Slow Down: Selections from the Collection of JoAnn Gonzalez Hickey, Boulder Museum of Contemporary Art, CO (2017); False Documents and Other Illustrations, Portland Museum of Art, ME (2010-2011); The Fifth Genre: Considering the Contemporary Still Life, Galerie Lelong, New York (2010); Acclimations, Villa Arson, Nice (2006); 24 plans per second (with Piot Brehmer), 123 Watts Gallery, New York, NY (2000); Drawings from the Collection, Fundacion ICO, curated by Pablo Llorca, Madrid, ES (1999)…
His work is represented, among other important collections, at The Museum of Modern Art (MoMA), New York; The Dallas Museum of Art, Dallas TX; Reina Sofía National Art Center Museum, Madrid; The Alfond Collection of Contemporary Art at Rollins College, Winter Park, FL; Caja Madrid, Madrid ES; Fundacio La Caixa, Barcelona, ES; Fundacio Vila Casas, Barcelona, ES; Progressive Corporation, Mayfield Village, OH; West Collection, Philadelphia, PA; Jorge Pérez Collection, Miami FL…
Statement
The artist reflects, from semiotic postulates, on issues related to the aesthetics of reception and the artistic experience in today's society, such as the way we relate to the work of art. His most recent work, which stands out for the creation of graphite drawings and oil paintings, reflects the fusion of time, of an intangible past, which can be captured in the present only through intuition.
Additional information
Tiene como referencia la reciente exposición del artista Johannes Vermeer en Ámsterdam. Reflexiona, desde postulados semióticos, a cuestiones relativas a la estética de la recepción y la experiencia artística en la sociedad actual, como por ejemplo la manera de relacionarnos con la obra de arte.
2.5 x 4m / 98.4 x 157 in
