DIno Bruzzone
Bio
Dino Bruzzone 1995 graduated as an architect from the University of Buenos Aires. He studies scenography and color theory with Gastón Breyer, visual arts with Juan Doffo and photography at the Escuela Argentina de Photography. He questions the very foundations of photographic representation playing with the ambiguity between fiction and reality. He participates in the Improvement Scholarship program for artists led by Guillermo Kuitca from 1994 to 1995 and from 1997 to 1999. With the Braque Prize Scholarship he studied at the Cité Internacionale des Arts in Paris in 1996 and 1997. In 1999 he was invited for the Argentine shipment to the Venice Biennale and in 2000 to the São Paulo Biennial, Brazil. In addition to the Braque Prize (1995), he won the Leonardo Prize for Photography (1998), the subsidy for the creation of the Antorchas Foundation (1998), the Young Artist Prize awarded by the Argentine Association of Art Critics and the Civitella scholarship Rainieri Center of Peruggia (2001). His works are part of private and public collections such as the Castagnino Museum in Rosario, the Museum of Contemporary Art in Santiago de Chile, the Museum of Modern Art in Buenos Aires and the National Museum of Fine Arts. Distinctions: 2013 / first Petrobras photography award. ”2002 / Konex award, mixed media category. Braque Prize (1997) (Grant grant to study one year in Paris). Scholarship Program for Young Artists Guillermo Kuitca (1994-95, 1997-99). 1999 / Young Artist of the Year, Argentine Association of Art Critics. 1998 / Annual Creation Subsidy, Fundación Antorchas. Buenos Aires. / Leonardo Prize, in the Photography category. National Museum of Fine Arts, Buenos Aires. Colections: MALBA, Museo de Arte Latinoamericano, Buenos Aires. Museo Castagnino, Rosario. Museo de Arte Contemporáneo, Santiago de Chile. Museo de Arte Moderno de la Ciudad de Buenos Aires. Museo Nacional de Bellas Artes, Buenos Aires. Allied London Properties,. Colección Yankelewicz Buenos Aires Colección César Gaviria, Colombia CAB, Burgos, España, Colección Fotomuseo. Bogotá, Colombia. Alejandro Zaia Madrid / Londres. Arte Al Limite Chile. Alfredo Hertzog San Pablo Valerie Jungels winkler Londres Juan Musciolo Buenos Aires Eduardo Mallea Bruchou, Fernández Madero & Lombardi, Buenos Aires UBS Collection Alain Bouvrot Suiza David Telepak Londres Jean Pierre Murray Beverlly Hills – Ny Regina Del Carril Buenos Aires Juan Miguel Raffo Lima Diego Gamero Lima Jorge Anzorreguy Buenos Aires Javier Gonzales Lagunas Barcelona Elena Kadcova Rusia Sandra Borges Portugal - Jon Giraldo España
Statement
Bruzzone's work creates the lures of Desire in a sensual and conceptual way.
From the beginning, media and literary references to fashion and fetish appear in his multimedia installations. Quotes from American Psycho alongside photos of Kate Moss were connected to cables that guided us to intimate states of erotic, dystopian and techno fantasies.
Fantasy, memories, unconscious desire is material in the body and is embodied in art and now in Dino's pieces. According to Roland Barthes in Camera Lucida, citing Lacan, he defines the punctum as that which provokes the gaze, that which triggers the Aesopian drive.
Dino's pieces are that space of beauty, perfection, seduction and sensuality to which these new paintings lead us: pink, silky, sexy. Points whose specific chromatic perception reconstructs those memories of iconic goddesses.
Veronica, the dominatrix walking powerfully over the fascinated male gaze,
she exercising, emerging from an exuberant Splash, until ending in pure ecstasy of the senses.
All the artist's work follows the perfect itinerary of seduction, the delicate skin of the painting, the star dust of the make up, the magic, all the optical illusionism materializes in his models, those unforgettable dance atmospheres of Freedom, recreating the mythical Buenos Aires discos where music and light enveloped the bodies, his works quote Barbarella, Valentina de Crepax, Bergman, today it is Veronica the brunette, the unattainable, the intense in all her poses she in these paintings guides us to the epiphanies of adolescence and childhood where cinema and comics built the set of the idolized Body.
Additional information
La obra de Dino Bruzzone es una profunda y maravillosa investigación sobre el Deseo . Arquitecto de un sistema de representación Dino Bruzzone a lo largo de toda su obra reflexiona sobre la representación y la percepción, foto, maquetas, peepshows , instalaciones y hoy a través de la pintura en todo su esplendor va invitándonos a ver e imaginar. La sensualidad de la belleza es estructural , en una apropiación conceptual toma una historieta fetiche como Archie , un comic norteamericano de 1942 que pauto la fantasia erotica de toda una generacion . Un triangulo de deseo de los protagonistas generado en la trama entre Archie , Veronica y Betty abre una serie de pinturas exquisitas. Dino Bruzzone , en forma elegante e intelectual, pinta con los mejores colores del pantone en cada serie , y crea una forma de fenómeno óptico donde el punto ( hoy el pixel ) ampllifica el efecto de lo que miramos. El , ellas , el con ella, el con ellas, el en el sol , ellas en el sol, el humor, el romance, lo idealizado de los flechazos amorosos , la seduccion, el vértigo, la adrenalina, la fascinación, todas esas bellas sensaciones en una forma sofisticada de pintura contemporánea , hoy en la era de las app y las nuevas codificaciones sexuales.
2.5 x 4m / 98.4 x 157 in
