Departamento 112

Sara Escalante

Bio

Sara Escalante (Buenos Aires, Argentina, 2001).
The main theme of her work is the object abstracted from its context. She explores the capacity of fragmentation as a counter-narrative. Her work raises questions about a current situation, whether personal or societal. She offers observations on what is imposed, stimulation, alignment, and consumption, while avoiding over-information.º

Statement

Sara Escalante (Buenos Aires, Argentina, 2001).
The main theme of her work is the object abstracted from its context. She explores the capacity of fragmentation as a counter-narrative. Her work raises questions about a current situation, whether personal or societal. She offers observations on what is imposed, stimulation, alignment, and consumption, while avoiding over-information.

Sara Escalante
Title: Carne de cañón
Medium: fotografia digital toma directa
Year: 2024
Dimensions: 30 x 40 cm
Edition: 1/3

Additional information

papel epson enhaced mate 200 gsm

Wall reference
2.5 x 4m / 98.4 x 157 in

Other works of Departamento 112

Other galleries

El Museo
Beatriz Esguerra Art
VAG
Beatriz Gil Galería
Galería Petrus
Carne de cañón