Dino Bruzzone
Bio
Dino Bruzzone 1995 graduated as an architect from the University of Buenos Aires.
He studies scenography and color theory with Gastón Breyer, visual arts with Juan
Doffo and photography at the Escuela Argentina de Photography.
He questions the very foundations of photographic representation playing with the
ambiguity between fiction and reality. He participates in the Improvement
Scholarship program for artists led by Guillermo Kuitca from 1994 to 1995 and from
1997 to 1999. With the Braque Prize Scholarship he studied at the Cité
Internacionale des Arts in Paris in 1996 and 1997.
In 1999 he was invited for the Argentine shipment to the Venice Biennale and in
2000 to the São Paulo Biennial, Brazil.
In addition to the Braque Prize (1995), he won the Leonardo Prize for Photography
(1998), the subsidy for the creation of the Antorchas Foundation (1998), the Young
Artist Prize awarded by the Argentine Association of Art Critics and the Civitella
scholarship Rainieri Center of Peruggia (2001).
His works are part of private and public collections such as the Castagnino
Museum in Rosario, the Museum of Contemporary Art in Santiago de Chile, the
Museum of Modern Art in Buenos Aires and the National Museum of Fine Arts.
Distinctions: 2013 / first Petrobras photography award. ”2002 / Konex award, mixed
media category. Braque Prize (1997) (Grant grant to study one year in Paris).
Scholarship Program for Young Artists Guillermo Kuitca (1994-95, 1997-99).
1999 / Young Artist of the Year, Argentine Association of Art Critics. 1998 / Annual
Creation Subsidy, Fundación Antorchas. Buenos Aires. / Leonardo Prize, in the
Photography category. National Museum of Fine Arts, Buenos Aires.
Statement
Dino Bruzzone's work is a profound and wonderful investigation into Desire.
Architect of a system of representation Dino Bruzzone throughout his work reflects on representation and perception, photos, models, peepshows, installations and today through painting in all its splendor he invites us to see and imagine.
The sensuality of beauty is structural, in a conceptual appropriation it takes a fetish comic like Archie, an American comic from 1942 that inspired the erotic fantasy of an entire generation.
A triangle of desire of the protagonists generated in the plot between Archie, Veronica and Betty opens a series of exquisite paintings.
Dino Bruzzone, in an elegant and intellectual way, paints with the best Pantone colors in each series, and creates a form of optical phenomenon where the point (today the pixel) amplifies the effect of what we look at.
Him, them, him with her, him with them, him in the sun, them in the sun, the humor, the romance, the idealized love crushes, the seduction, the vertigo, the adrenaline, the fascination, all those beautiful sensations in a sophisticated form of contemporary painting, today in the era of apps and new sexual codifications.
Additional information
Archie es una serie de historietas estadounidense. Comenzó a publicarse en el invierno de 1942 y se extendió hasta junio de 2015. Narra las aventuras de un grupo de adolescentes entre los que destaca su protagonista titular: Archie Andrews.
Las aventuras de Archie y sus amigos se centran en el triángulo amoroso Verónica-Archie-Betty y las situaciones que pudiera vivir cualquier adolescente estadounidense de mediados del siglo XX. En ocasiones sus aventuras son de corte fantástico e irreal.
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Archie is an American comic series. It began to be published in the winter of 1942 and lasted until June 2015. It narrates the adventures of a group of adolescents, among which its titular protagonist stands out: Archie Andrews.
The adventures of Archie and his friends focus on the Veronica-Archie-Betty love triangle and the situations that any American teenager of the mid-20th century could experience. Sometimes his adventures are fantastic and unreal in nature.
2.5 x 4m / 98.4 x 157 in
