Paul Sende
Bio
Born in Buenos Aires in 1989, He studied Multimedia Arts at UNA, where he was able to
experiment with different media and techniques. Thus he began to delimit his search in the fields of modularity, visual patterns, optical effects, light phenomena and kinetic experiences. After graduating he was selected as an artist-in-residence at Betahaus Berlin. After living a few months abroad and exhibiting in different places, he returned to Buenos Aires and began his career as a visual artist within the contemporary art circuit, creating
lighting installations, programmed objects, image-generating devices, serigraphs, paper cut-outs. and paintings, always within the framework of geometry and abstraction.
He exhibited both individually and collectively at the Malba Museum, Recoleta Cultural Center, Betahaus Berlin, Studio Cherie Berlin, Chien Noir Gallery, Palermo Hippodrome, Art Basel Miami, La Rural, among others.
Statement
Born in Buenos Aires in 1989. His first contact with the abstract was jazz and instrumental music that was heard at home day and night. He quickly stopped drawing faces in his preschool notebooks to start making geometric shapes. She spent hours dismantling electronic junk from a drawer at her grandparents' house, connecting little motors, lights, or anything to a battery to see what would happen. A little older, he bought sound toys in the
“balance” section of the toy store, to intervene in his circuits and bring out new sounds from the underworld, beginning to cross the worlds of art and technology.
Each of these universes presents a different technique, exploring various supports, materialities and modes of production, ranging from light sculptures, three-dimensional
structures to serigraphs.
These resources that both broaden knowledge and mediate experience are arranged as a geometric fiction that, starring physical phenomena, leaves humanity in the background.
While the pieces of light suggest a synthetic and modular landscape, the graphic works propose a collection of events at different scales. In their coexistence they articulate an
ecosystem that is situated on the fine line between the artificial and the natural
