Marcos López
Bio
(Santa Fe, 1958)
He began taking black-and-white photographs in 1978. In 1982, he moved to Buenos Aires after receiving a scholarship from the Fondo Nacional de las Arte. In 1989, he was part of the first class of foreign scholarship recipients at the International Film and Television School of Cuba. He then began experimenting with color and developed the “Pop Latino” series during the 1990s and, in recent years, the “Sub-realismo Criollo” series. In 2013, he completed his feature-length film debut "Ramón Ayala". His photographs are part of the collections of the useo Nacional de Arte Reina Sofía in Spain, the Daros Latin America Collection in Switzerland, and the Tate Modern Gallery in London, among other public and private collections. His published books include Retratos (1993, reissued in 2006), Pop latino (2000), Sub-realismo criollo (2003), El jugador (2007), Pop latino plus (2007), Marcos López (2010), Exceso (2019), Marcos Lopez Intervenido (2022) y Querido Diario (2023).
2.5 x 4m / 98.4 x 157 in
