Eduardo Llanos
Bio
(Lima - Perú, 1957)
Studies: Psychoanalysis. Member of the Peruvian Society of Psychoanalysis and Society, International Psychoanalysis (Lima, 2010 - 2016). Psychoanalytic Psychotherapy, Lima (2003 – 2006).
International School of Theater Anthropology - ISTA (6th session), Bologna, Italy (1990).
Monumental Textile, Rietveld Academy, Amsterdam, The Netherlands, (1986 – 1990).
Seventeen individual exhibitions since 1992, among the most recent are:
Vale a Peru, THE GALLERY, Lima, Knots and Intersections, North American Peruvian Cultural Center, Arequipa, Peru (2021); #SEVEN – show only, @otraferia, LA GALERÍA, Lima (2020), Sensitive Textures, LA GALERÍA, Lima (2019); Architecture of the soul, THE GALLERY, Lima (2016).
First Prize in the Bicentennial Meeting Contest, Peruvian Society of Psychoanalysis (2021)
First Prize XVII Annual Sculpture Contest, Luis Hochschild Plaut Award - IPAE (2018)
Statement
Regarding his proposal, Elida Román -art critic- comments:
…Trying to find the most notorious parameters or axes that seem to guide each and every one of the works, I think about the concept of fragility and transience, about armor that protects from what is not foreseen or even known, about the rhythms and the work to create these protections, and create that very deep self-preservation instinct that is available for defense using the hidden weapon.
To reach these results, the author uses certain instrumental concepts in all designs, contrasts in all creations: connect, knot, weave, collect, radiate, hang, tighten, cage, approach, penetrate, repeat, rhythm, contrast, agglomerate. If something characterizes the results of these exercises, it is their capacity for coherence, symbolic transmission and poetic talent...
